Another totally different subject executed very well. Direction: So Srijit Mukherjee made a hat-trick with his 3rd movie.
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And, I love her so I liked her anyway Supporting characters are also very strong actors but not much explored. Her d-glam representation is also something she tried first time. She first time got the chance to break out of her usual happy, bubbly, naughty characters. Meghna and Ananda, even though I would say its Koel's movie.
Prema katha chitram dialogues movie#
Character development: Only two characters come into focus since the movie begins. He asks her to join the course so she could die properly without embarrassing everyone including herself. Enter Ananda Kar(Parambrata) the CEO of "Hemlock Society". She's very upset after breaking up a 14yrs long relationship and wants to end herself. Meghna(Koel Mallik) recently has broken up with her bf. So there is private organization which helps people to commit suicide successfully! Provides a 3 days crash course to enlighten the participants about various methods to suicide.
"Morbe moro chorio na" (Die if you want but don't embarrass). Topic? If summarized its "Assisted Suicide"! To make it more clear, let me translate the tagline of the movie i.e. But, I could never imagine someone would ever dare to make a movie on this topic. Read one story in my childhood in similar concept and happened to come by an article few days ago. I have never seen such a movie in any language. Great film!Ĭoncept: I'm really amazed by the concept of the movie. This movie will not be appreciated by everyone but still deserves a watch if only for the message it means to put forward. This film could have really gone out of hand but Srijit Mukherji steered the ship in the right direction and Parambrata and the supporting cast did the rest. Kudos to the director on that part because the message that was delivered was both hard-hitting, and also, easy-to-grasp. At the heart of the film and its biggest asset, is the story and the way it was allowed to blossom on its own.
The supporting cast was great and the film also featured a host of cameos by popular faces of the Bengali film industry. His natural dialog delivery and his expressions were perfect for his role as the slightly-mischievous, super-sarcastic Ananda Kar. He was brilliant in his role and brought a different kind of vibe to this bordering-on-being-depressing kind of film. A shorter role, yes, but definitely much more impactful. Instead, Parambrata Chatterjee does the job for her. In the presence of such natural actors like Parambrata Chatterjee, Rupa Ganguly, and Dipankar De Koel Mallick fails to live up to expectations, especially since her role was supposed to carry the film. She was overacting for the most part and her entire performance looked like it needed a great deal of effort on her part to even say an entire sentence and emote at the same time. The female lead was a big no for this kind of film. Suddenly, in the span of 2 minutes, the entire atmosphere takes a 180 degree turn. At the outset, it starts on a happy note, a musical performance in a bar, a happy girl listening to the song and enjoying the moment. The dark, morbid undertone of the movie notwithstanding, this movie was a different kind of experience.
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